The last two are consistent with an actual wreck. We are, I am, you are by cowardice or courage the one who find our way back to this scene carrying a knife, a camera a book of myths our names do not appear.
From The Nation Deborah Pope The wreck represents the battered hulk of the sexual definitions of the past, which Rich, as an underwater explorer, must search for evidence of what can be salvaged. Lines I am having to do this not like Cousteau with his assiduous team but here alone.
Norton, Of Woman Born: The truth, it seems, is not just what you find when you open a door: Diving into the ocean not truly understanding what may follow the plunge is a metaphor within itself. It is as if Rich still found herself in the dilemma at the end of "Snapshots of a Daughter-in-Law" when it seemed impossible to record an image of the "new woman.
She wants to find the damage but also what is left of value; she sees something in herself flawed but she wants to inherently know she still has value, something lasting. There also is no need to limit the poem to a piece about artistic self-discovery. Lines First having read the book of myths, and loaded the camera, and checked the edge of the knife-blade, I put on the body-armor of black rubber the absurd flippers the grave and awkward mask.
She begins seeing two sides of herself. Rich was not eternally carrying a knife or wearing a funny suit, but instead she meant she had a mindset that would protect her from the harmful and cruel things readers and critics may say to and about her.
Norton, Necessities of Life: But Rich takes this idea even further: What more does the title suggest?
Norton, The Fact of a Doorframe: Along with mentioning Jacques Cousteau, the title connects an action with exploration and investigation. Norton, Midnight Salvage: The knowledge found in the book of myths is necessary, as it gives the diver vital information.
Rich writes about the ladder for about twenty lines. From A Separate Vision: Also, the ladder hanging off the boat requires her to face the boat as she went down.
Norton, On Lies, Secrets, and Silence: InRich left her husband, who committed suicide later that year. By the end, the identity of the narrator is both one and many. At moments I have this little glimmer of it. Although Rich was telling he story of her discovery, this poem can be interpreted differently by readers without knowledge of her life story.
The figure is passionate but with an isolation and passion transparent to the universal. First having read the book of myths, and loaded the camera, and checked the edge of the knife-blade, I put on the body-armor of black rubber the absurd flippers the grave and awkward mask.
Norton, The Will to Change:"Diving into the Wreck" begins with a description of the speaker getting ready to go scuba diving.
In the first line, there's a kind of weird reference to "the book of myths." Why would you need to read myths before diving? It's hard to say at this point, and we think Rich wants us to wait, and to hold that image in our mind as we read the poem.
"Diving into the Wreck," pp. Adrienne Rich Context: Comparing the diving process to poems? - Jacques Counsteau - France’s national treasure as an explorer who made documentations about his trips. Diving into the Wreck Poem Analysis Adrienne Rich uses an observational, detached tone in “Diving into the Wreck” to write a detailed poem that focuses on humanity; storytellers as observers, recorders, and explorers; and the isolation of life; as well as the shared community found through the.
Diving into Rice’s poem, readers are engulfed in a sea of metaphors, longing to be connected to the reader’s life situations and to Rice’s self-discovery.
The scuba diver in the poem is getting ready to go an adventure to. Poetry / Diving into the Wreck / Literary Devices ; Diving into the Wreck Analysis.
Symbols, Imagery, Wordplay. Welcome to the land of symbols, imagery, and wordplay. Before you travel any further, please know that there may be some thorny academic terminology ahead.
You know that sound you hear in a movie when someone is diving. “Diving into the Wreck” is a poem of ten stanzas in free verse.
The poem is written in the first person. Sometimes poets use the first-person device to create a character who may have different values or beliefs from the author.Download